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Andy blow job warhols

I specifically focus on these films' representations of gay male identity and the performance of masculinity. The demographic character of Warhol's Factory with its many underground personalities, queer performers, and sexual deviants, and the highly particular nature of Warhol's approach to filmmaking--the unedited reel-long shot of a sitter or a group of people engaging in unscripted dialogue for the static camera--makes Factory film production a privileged object of research into issues of gender and sexuality and, specifically, gay male identity. As a work of historiography, this dissertation places the representation of gay male identity in Warhol's films in the context of American culture and society after World War II. In the postwar years, homosexuality gradually shifted in status from a medico-pathological to an ethnographic category.
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Andy Warhol: Blow Job

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Andy Warhol: Blow Job • One Work • Afterall

The minute film shows a young man apparently receiving oral sex, though the viewer only ever sees his head and shoulders - leaving the person performing the act in our imagination. Sometimes the man looks bored, sometimes as if he is thinking, sometimes as if he is aware of the camera, sometimes as if he is not. What might have been pornographic becomes an extended examination of the passing of time and the materiality of film. The silent, black-and-white film is exemplary of Warhol's works produced during the early s, alongside such films as Sleep, Empire, Harlot and Couch. In this important book, the influential film-maker and writer Peter Gidal shows how Blow Job is a film about film, about time and also about mortality. Gidal's book is a richly textured, deeply felt consideration of not only Blow Job, but also Warhol's work as a whole, putting both the film and its maker into context within our contemporary culture, while acknowledging the artist's debt to the preeminent visual stylists of earlier generations and cultural eras.
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Our Kind of Movie: The Films of Andy Warhol

Roy Grundmann - Culture and the Moving Image: Andy Warhol's Blow Job FB2 read online 24 Mars In this ground-breaking and provocative book, Roy Grundmann contends that Andy Warhol's notorious underground film, Blow Job, serves as rich allegory as well as suggestive metaphor for post-war American society's relation to homosexuality. Arguing that Blow Job epitomizes the highly complex position of gay invisibility and visibility, Grundmann uses the film to explore the mechanisms that constructed pre-Stonewall white gay male identity in popular culture, high art, science, and ethnography. Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema.
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As opposed to the long shot or the medium shot wherein the visual frame allows a greater area for both space and movement, the close-up is constricted and limited but the degree of detail is vaster. The most famous close-ups in our cinematic history take advantage of this unique value of the close-up. The subject matter of the close-up is most often the human face or a selected portion of it since the subtlest of emotions can be most accurately displayed by the minute movements of the mobile contours of the face. Done correctly, the close-up is an invaluable tool for filmmakers most especially to connect at a more intimate level to their proposed audiences.
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